There’s this strange behavior of Indian Entertainment Industry that I fail to comprehend. Every time, someone does something new and delivers a hit, instantly 10 others will follow the footsteps hoping to get the same amount of success. Is it so hard to understand that the first one became a hit by being the first one?
Why are we so prone to imitation? Why don’t we muster enough courage to give a free rein to our creativity, our originality?
Today, roughly over 90 % of the Indian movies are a remake or an adaptation of a foreign language film, usually the Hollywood movies. Either the fight sequence is copied scene by scene or the entire movie is shamelessly recreated. Worst thing is that the copy is so mindlessly done that one is not even concerned to find out if the story or the scene is relevant from the film’s context.
Take for instance the recent release, Love Story 2050. You will notice the final chase sequence is taken from one of the Star Wars series. Salman Khan’s Partner is yet another movie that literally ripped apart Will Smith’s Hitch. The list goes on. In fact the Indian filmmakers have got so used to copying that now they have started remaking old Bollywood films.
So is the case with yet another most anticipated movie based on friendship between rich and poor. Someone got “inspired” by Munshi Premchan’s story which in turn was “inspired” by one of our mythological stories – the friendship between King Lord Krishna and his poor friend Sudama. Soon, we are seeing the South Indian legend actor Rajnikanth making Kuselan and following him is our very own Bollywood Baadshah Shah Rukh Khan with Billo Barber.
The problem lies in our fear with experimenting. We are so addicted to minting money that we have forgotten this medium was actually meant to be creative medium and not a money making profession. Every time, someone delivers a hit we assume that by following the similar formula we will be able to cash in too. To an extent these filmmakers even get rewarded for their undeserving “piracy” of concepts.
The trend will continue unless the audience starts rejecting such dopey remakes. If one is ok with it, one will probably get the same thing served over and over again. At some point, one has to stand up and refuse to see something that is not even worth one’s time leave aside the price paid.
Till that happens, Indian filmmakers will strive as parasites on their foreign counterparts. If only they could ask themselves – If the others can do it, then why can’t we? Why are we so paralyzed with fear that the by being creative we will risk our bread and butter? If originality works for others, it may as well work for us too.